Iād written modern true crime beforeāa book that helped solve a 40-year-old cold caseāand wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
I wrote
Rogues' Gallery: The Birth of Modern Policing and Organized Crime in Gilded Age New York
A lavishly illustrated and engagingly written history of New York during the Gilded Age that covers not just crime, sin, and policing but also such topics as rich vs. poor, the immigrant wave, the early womenās movement, and theater and entertainment. Youāll be entranced by the many beautiful photographs and illustrations alone; I know I was!
Mark Twain coined the term the "Gilded Age" for this period of growth and extravagance, experienced most dramatically in New York City from the 1870s to 1910. More than half of America's millionaires lived in the city. Previously unimaginable sums of money were made and spent, while poor immigrants toiled away in tenements. Author Esther Crain writes, "There was an incredible energy, a sense of greatness and destiny. Things were literally going up-skyscrapers, elevated train tracks, new neighborhoods and parks. Accompanying all of that was an equal amount of greed and lust. Crime, vice, political scandals-the Gilded Age produced anā¦
A fun romp through many famous cases where āhe done her inā (or vice versa) by such varied poisons as arsenic, strychnine, potassium cyanide, cyanide of mercury (even deadlier than potassium!), with an analysis of the policing and chemistsā methods used to nab the perpetrators. Not as common today as in the late nineteenth and early twentieth centuries, death by poison was once the preferred, most devious, means for people to eliminate their enemies, ex-lovers, husbands, and wives. Taste that drink before you down it!
Equal parts true crime, twentieth-century history, and science thriller, The Poisoner's Handbook is "a vicious, page-turning story that reads more like Raymond Chandler than Madame Curie." āThe New York Observer
āThe Poisonerās Handbook breathes deadly life into the Roaring Twenties.ā āFinancial Times
āReads like science fiction, complete with suspense, mystery and foolhardy guys in lab coats tipping test tubes of mysterious chemicals into their own mouths.ā āNPR: What We're Reading
A fascinating Jazz Age tale of chemistry and detection, poison and murder, The Poisoner's Handbook is a page-turning account of a forgotten era. In early twentieth-century New York, poisons offeredā¦
Author Ferrara takes you on a lively, and chilling, tour of the sites in Manhattan where Mafia dons and underlings brutally wiped out their competitionāonly to find themselves on the receiving end of the same treatment at some other joint up or downtown. Chinatown, Little Italy, the Lower East Sideāthese were the main haunts of New Yorkās most colorful and deadly criminals in the late 1800s and early 1900s, and itās fun to actually visit the locations with this book as a guide.
During the early twentieth century, Sicilian and Southern Italian immigrants poured into New York City. Looking to escape poverty and persecution at home, they soon discovered that certain criminal enterprises followed them to America. Before any codes of honor were established in the New World, violent bosses wreaked havoc on their communities in their quest to rule the underworld. It took several decades for the Mafia to mature into a contemporary organized crime syndicate. Some names and places from both eras are still infamous today, like Frank Costello and the Copacabana, while some have remained hidden in absolute secrecy untilā¦
Shakespeare wanted to kill all the lawyers, and this book will give you a reason to. On second thought, be glad that these two roguish lawyers, William Howe and Abe Hummel, lived to fill this book with colorful stories of the criminal underworld in late nineteenth-century New York and how the crooks got away with it. Howe, a flamboyant, heavily bejeweled (and heavy) trial lawyer, could reduce juries to tears, while his gnomish partner, Abe Hummel, counted P. T. Barnum, Buffalo Bill Cody, and other celebrity hucksters among his clients. Between them, Howe and Hummel were in on almost every major criminal trial of their era, sometimes winning, sometimes losing, but always leaving behind a trail of crookedness that would make even the shadiest of todayās lawyers blush.
From the critically acclaimed author of Crazy '08 comes the thrilling true story of the most colorful and notorious law firm in American history. Scoundrels in Law offers an inside look at crime and punishment in the nineteenth century, and a whirlwind tour of the Gilded Age.
Gangsters and con men. Spurned mistresses and wandering husbands. Strippers and Broadway royalty. Cat killers and spiritualists. These were the friends and clients of Howe & Hummel, the most famous (and famously rotten) law firm in nineteenth-century America.
The partners gloried in their reputation and made a rich living from it. William Howeā¦
Known more for his books on Mayas, Aztecs, and Spanish conquistadors, historian Matthew Restall's latest book takes his deepest dive yet into the history of pop music.
In the late-1970s, three music-obsessed, suburban London teenagers set out to make their own kind of pop music: after years of struggle, successā¦
If you read one biography/memoir of a Gilded Age criminal, make it this one. It tells the story (often in his own words) of the celebrated pickpocket George Appo, an odd little half-Chinese, half-Irish, one-eyed fellow who could make $800 in a few days when most working men made less than that in a year. Appo would rivet New Yorkers when he testified about his second career as a āgreen goodsā con man, working to swindle gullible out-of-towners who came to buy purported counterfeit money at a discount, only to discover that there was nothing but sawdust inside the packages they carried away. Appo refused to name names, though, as he was a self-described āgood fellow.ā
In George Appo's world, child pickpockets swarmed the crowded streets, addicts drifted in furtive opium dens, and expert swindlers worked the lucrative green-goods game. On a good night Appo made as much as a skilled laborer made in a year. Bad nights left him with more than a dozen scars and over a decade in prisons from the Tombs and Sing Sing to the Matteawan State Hospital for the Criminally Insane, where he reunited with another inmate, his father. The child of Irish and Chinese immigrants, Appo grew up in the notorious Five Points and Chinatown neighborhoods. He rose asā¦
Roguesā Gallery is a sweeping, epic tale of two revolutions that played out on the streets of Old New York during the Gilded Age. For centuries, New York had been a haven for crime. A thief or murderer not caught in the act nearly always got away. But in the early 1870s, police developed new ways to catch criminals: Mug shots and daily lineups helped witnesses point out culprits; the famed roguesā gallery allowed police to track repeat offenders; and the third-degree interrogation method induced recalcitrant crooks to confess. Yet as policing became ever more specialized and efficient, crime itself became bolder and more elaborate, murders grew more ruthless and macabre, and the street gangs of old transformed into organized crime, including the Mafia.
This irreverent biography provides a rare window into the music industry from a promoterās perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands ofā¦
Set against the backdrop of the flourishing musical community during the 1940s in Baltimore, Notes of Love and War weaves together the pleasure of musical performance with the dangers of espionage and spying.
Audrey Harper needs more than home and hearth to satisfy her self-worth. Working as a music criticā¦